“Half a century later, Stanley Kubrick's 2001: A Space Odyssey hasn't lost its power to inspire awe. It's still a divisive movie, but it can't reasonably be dismissed. Special effects have evolved - particularly in the depiction of space vehicles - without making 2001's look silly. The pacing of entertainment has sped up, only making its long, meditative scenes feel even more hypnotic.
“It has a reputation as a cold and distanced movie. Its human characters aren't much more emotive than its A.I. antagonist, and Kubrick seems to put us in a God's-eye perspective, stepping far back enough to see a continuum from primitive apes to mankind's discovery of a space vortex. Yet it's joyful in its use of image and sound, turning a space walk or the movements of celestial bodies into ballet.
“Everything about it feels enormous, demanding the biggest screen available. A single edit spans millions of years, suggesting a story about the entire history of the human race, or at least a topic as broad as ‘man's use of tools.’ Yet it ends intimately, with one man alone inside the vastness of space, of time, of his mind. Maybe. I'm not sure. Luckily you don't have to be able to follow 2001 to feel it deeply. There doesn't seem to be a shelf date on the potency of pure cinema.” ~ Vern
This year’s “nominees:”
2001: A Space Odyssey
Faces
Night of the Living Dead
Once Upon a Time in the West
Rosemary’s Baby
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